Caravaggio

Italian, 1571-1610
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Caravaggio oil paintings
St. John the Baptist as a Child
Caravaggio
Item ID:21289
Amor Victorious
Caravaggio
Item ID:21290
St. John the Baptist
Caravaggio
Item ID:21291
Martha and Mary Magdalene
Caravaggio
Item ID:21292
Narcissus
Caravaggio
Item ID:21293
The Conversion of St.
Caravaggio
Item ID:21294
St John the Baptist
Caravaggio
Item ID:21296
The Annunciation
Caravaggio
Item ID:21297
The Lute Player
Caravaggio
Item ID:21298
The Supper at Emmaus
Caravaggio
Item ID:21299
St. Francis in Ecstasy
Caravaggio
Item ID:21300
Still-Life with Flowers and Fruit
Caravaggio
Item ID:21301
Youth Bitten by a Green Lizard
Caravaggio
Item ID:21302
Rest During the Flight into Egypt
Caravaggio
Item ID:21303
Judith and Holofernes
Caravaggio
Item ID:21304
The Calling of St. Matthew
Caravaggio
Item ID:21305
The Doubting of St.
Caravaggio
Item ID:21306
Madonna dei Pellegrini
Caravaggio
Item ID:21307
Supper in Emmaus
Caravaggio
Item ID:21308
The Death of the Virgin
Caravaggio
Item ID:21309
The Seven Acts of Mercy
Caravaggio
Item ID:21310
Madonna del Rosario
Caravaggio
Item ID:21311
The Flagellation of Christ
Caravaggio
Item ID:21312
Salome with the Head of the Baptist
Caravaggio
Item ID:21313
David with the Head of Goliath
Caravaggio
Item ID:21314
The Beheading of the Baptist
Caravaggio
Item ID:21315
The Cardsharps (I Bari)
Caravaggio
Item ID:21317
David and Goliath
Caravaggio
Item ID:21318
Medusa
Caravaggio
Item ID:21319
The Sacrifice of Isaac
Caravaggio
Item ID:21320
The Fortune Teller
Caravaggio
Item ID:21321
The Deposition
Caravaggio
Item ID:21322
Youth with a Flower Basket
Caravaggio
Item ID:21323
Concert
Caravaggio
Item ID:21324
Lute Player
Caravaggio
Item ID:21325
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Biography
Artist photo

Amerighi da Caravaggio or Michelangelo Merisi (29 September 1571 - 18 July 1610) was an Italian artist active in Rome, Naples, Malta, and Sicily between 1592 (1595) and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque school of painting.

Caravaggio trained as a painter in Milan under Simone Peterzano who had himself trained under Titian. In his twenties Caravaggio moved to Rome where, during the late 16th and early 17th centuries, many huge new churches and palazzi were being built and paintings were needed to fill them. During the Counter-Reformation, the Roman Catholic Church searched for religious art with which to counter the threat of Protestantism, and for this task the artificial conventions of Mannerism, which had ruled art for almost a century, no longer seemed adequate.

Caravaggio's novelty was a radical naturalism that combined close physical observation with a dramatic, even theatrical, use of chiaroscuro. This came to be known as Tenebrism, the shift from light to dark with little intermediate value. He burst upon the Rome art scene in 1600 with the success of his first public commissions, the Martyrdom of Saint Matthew and Calling of Saint Matthew. Thereafter he never lacked commissions or patrons, yet he handled his success poorly. He was jailed on several occasions, vandalized his own apartment, and ultimately had a death warrant issued for him by the Pope.

An early published notice on him, dating from 1604 and describing his lifestyle three years previously, tells how "after a fortnight's work he will swagger about for a month or two with a sword at his side and a servant following him, from one ball-court to the next, ever ready to engage in a fight or an argument, so that it is most awkward to get along with him." In 1606 he killed a young man in a brawl and fled from Rome with a price on his head. He was involved in a brawl in Malta in 1608, and another in Naples in 1609, possibly a deliberate attempt on his life by unidentified enemies. This encounter left him severely injured. A year later, at the age of 38, he died under mysterious circumstances in Porto Ercole, reportedly from a fever while on his way to Rome to receive a pardon.

Famous while he lived, Caravaggio was forgotten almost immediately after his death, and it was only in the 20th century that his importance to the development of Western art was rediscovered. Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism was profound. It can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as Tenebrists or "Tenebrosi" ("shadowists"). Art historian Andre Berne-Joffroy said of him: "What begins in the work of Caravaggio is, quite simply, modern painting."


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